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Breakfast at Windsor: by an artist with inside knowledge 04-Sep
Sweat and breath damaging Sistine Chapel's frescoes 04-Sep
Impressionist Gardens at the National Galleries of Scotland, review 04-Sep
Corinne Day: 'Be proud of holes in your jumper’ 04-Sep
Sir Terence Conran: Modernism’s shining knight 04-Sep
Doll Face at the V&A Museum of Childhood 04-Sep
Romantics at Tate Britain, review 03-Sep
Let there be Sculpture! New Art Centre, Roche Court, review 03-Sep
Damien Hirst faces new plagiarism claims 03-Sep
Christies to exhibit Kazakh art 03-Sep
Romantics, at Tate Britain 29-Aug
Lending works of art to France is a risky business, warns curator 29-Aug
British Museum evacuated in 'gas incident' 29-Aug
Grace Robertson, interview with the 1950s photojournalist 29-Aug
Stanhope Forbes painting saved 26-Aug
The Language of Line at the Royal Academy, review 26-Aug
Martin Creed at the Fruitmarket Gallery, Edinburgh, review 26-Aug
Raphael's Sistine tapestries at the V&A: bring back hanging 26-Aug
Posters that lost the plot 26-Aug
Egypt arrests deputy culture minister over Van Gogh theft 26-Aug
Recession? What recession? 26-Aug
The Language of Line at the Royal Academy, review 23-Aug
Lehman Brothers art auction offers glimpse into the secret world of corporate collecting 23-Aug
Egon Schiele artwork stolen by Nazis returned to Austria 23-Aug
Raphael's Sistine tapestries at the V&A: bring back hanging 23-Aug
Edinburgh Art Festival 2010: Jupiter Artland; William Wegman; Edward Weston 20-Aug
Francis Alÿs at Tate Modern, Seven magazine review 20-Aug
Another World at the Dean Gallery, Edinburgh, review 20-Aug
Robbery's a fine art as $2 million worth of paintings stolen 14-Aug
Famed fine art photographer finds new form 14-Aug
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Art News


Wanted: Nude Models of Girth and Age 2010-Feb-05
   PHILADELPHIA— Artists' models, with the exception of Will Ferrell, are typically depicted in popular culture as young, svelte, and shapely. In reality, art school teachers and students are much more interested in people whose bodies are more distinctively landscaped by age and an extra roll here and there--but in an image-conscious society, art programs can find these models difficult to procure, according to the Philadelphia Inquirer.

Nude models of this variety are especially elusive, giving the few who pose for art classes steady work. Timothy McLauglin, a 64-year-old man with a shaved head and handlebar mustache, has found himself engaged for modeling work six days per week, with a devoted fan base in the faculty of Philadelphia's University of the Arts. "People think it's easy, but it's not easy," he said. "Some of the positions are just unbelievable - like one time I was lying on my back nude with my feet up against the wall and an arm outstretched staring up at the ceiling."

Model types in demand include pregnant women, people with extra heft, and unique-looking specimens who could pass for extras in a Tim Burton movie. Of course, buffed twentysomethings have their place too. "When you have someone who is young and well-defined, it's a great way to learn bones and muscles," says former art teacher Charles Schmidt. But a greater range of body types "teaches you to concentrate on the differences but also the similarities - how is the leg formed and what do you see on the surface."

www.artinfo.com

 

 
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