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Eadweard Muybridge at Tate Britain, review 09-Sep
Romantics at Tate Britain, review 09-Sep
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Poussin: what the nation stands to lose 09-Sep
Damien Hirst to feature in new Royal Academy exhibition 09-Sep
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Sweat and breath damaging Sistine Chapel's frescoes 04-Sep
Impressionist Gardens at the National Galleries of Scotland, review 04-Sep
Corinne Day: 'Be proud of holes in your jumper’ 04-Sep
Sir Terence Conran: Modernism’s shining knight 04-Sep
Doll Face at the V&A Museum of Childhood 04-Sep
Romantics at Tate Britain, review 03-Sep
Let there be Sculpture! New Art Centre, Roche Court, review 03-Sep
Damien Hirst faces new plagiarism claims 03-Sep
Christies to exhibit Kazakh art 03-Sep
Romantics, at Tate Britain 29-Aug
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Grace Robertson, interview with the 1950s photojournalist 29-Aug
Stanhope Forbes painting saved 26-Aug
The Language of Line at the Royal Academy, review 26-Aug
Martin Creed at the Fruitmarket Gallery, Edinburgh, review 26-Aug
Raphael's Sistine tapestries at the V&A: bring back hanging 26-Aug
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The Language of Line at the Royal Academy, review 23-Aug
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Egon Schiele artwork stolen by Nazis returned to Austria 23-Aug
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Art News


Art Fund prize reveals bumper longlist 2010-Feb-26
 
Eleven museums and galleries selected for Art Fund Prize

The longlist for this year's Art Fund Prize is dominated by national institutions and multi-million pound projects. The total cost of the projects is over £230m, ranging from the £78m Darwin Centre at the Natural History Museum, to Conflicts of Interest at the National Army Museum, which cost a relatively meager £573,000.

Mairead O'Hara, the team leader for the Conflicts of Interest exhibition at the National Army Museum, said she was thrilled it had made the longlist.

"We are proud to have produced this important exhibition and happy that our efforts have been recognised." She said one of the factors that made it stand out was that it covers contemporary issues. "The exhibition covers conflicts over the past 40 years and it was important to build in flexibility so that we can update the content."

The £100,000 prize is awarded for a project completed in the last year that is judged to have demonstrated originality, imagination and excellence.

The other contenders for this year's prize are: the Ashmolean Museum, Oxford (£61m); Blists Hill Victorian Town, Ironbridge Gorge Museum Trust (£12m); the Great North Museum: Newcastle (£26m); Hampton Court Palace for Henry VIII: Heads and Hearts (£5.5m); the Herbert Art Gallery and Museum, Coventry (£20m); the Leach Pottery, St Ives (£1.7m); the Royal Institution of Great Britain, for Science in the Making; Towner, Eastbourne (£8.58m); and the Ulster Museum, Belfast (£17.2m).

The judges will visit each of the 11 long-listed museums and galleries before selecting a short list of four to be announced at the end of May. The winner will be announced on 30 June.

The chairwoman of the judging panel is broadcaster Kirsty Young and other judges include A C Grayling, professor of philosophy at Birkbeck College, London, Lars Tharp, the director of the Foundling Museum and artist Jonathan Yeo.

Members of the public can vote for their favourite museum on the Art Fund Prize website www.artfundprize.org.uk

 

www.museumsassociation.org

 
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